From Drew Dahl, Arts Management Intern
What did you think of boom? Below are some clips of what audience members had to say about the show in the Rep's brand new Talk-it-out Booth (previously the Rep Confessional).
Showing posts with label Peter Sinn Nachtrieb. Show all posts
Showing posts with label Peter Sinn Nachtrieb. Show all posts
Audience Responses - boom
Posted by
Andrew Dahl
at
1:04 PM
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Labels:
audience responses,
boom,
Peter Sinn Nachtrieb,
Seattle Rep,
seattle repertory theatre
Seattle Times talks with Peter Sinn Nachtrieb
From Joanna, Communications Manager (who is totally blog happy today)
Misha Berson interviewed boom playwright Peter Sinn Nachtrieb today in the Seattle Times.
For some reason this line from the article "Peter Sinn Nachtrieb loves writing plays, and he loves marine biology" got me singing that song from Napolean Dynamite
:
"I love technology, but not as much as you, you see... But I still love technology... Always and forever."
I have learned a lot about the 34-year-old Nachtrieb lately (who is at the Rep this weekend!), but the Times article revealed that despite the fact that his is an award-winning playwright (he got the American Theatre Critics Association New Play Award), he "still enjoys the occasional gig performing in 'interactive murder mysteries at private parties.'"
The rest of the article is here: http://seattletimes.nwsource.com/html/thearts/2008387904_peter14.html
Peter's web site is here: http://www.peternachtrieb.com You can more fully check out this picture of him in a space suit.
Misha Berson interviewed boom playwright Peter Sinn Nachtrieb today in the Seattle Times.
For some reason this line from the article "Peter Sinn Nachtrieb loves writing plays, and he loves marine biology" got me singing that song from Napolean Dynamite
"I love technology, but not as much as you, you see... But I still love technology... Always and forever."
I have learned a lot about the 34-year-old Nachtrieb lately (who is at the Rep this weekend!), but the Times article revealed that despite the fact that his is an award-winning playwright (he got the American Theatre Critics Association New Play Award), he "still enjoys the occasional gig performing in 'interactive murder mysteries at private parties.'"
The rest of the article is here: http://seattletimes.nwsource.com/html/thearts/2008387904_peter14.html
Peter's web site is here: http://www.peternachtrieb.com You can more fully check out this picture of him in a space suit.
Post-election: Is the apocalypse still relevant?
Posted by
Seattle Repertory Theatre
at
3:56 PM
|
Labels:
boom,
Jerry Manning,
Peter Sinn Nachtrieb,
Seattle Weekly
From Joanna, Communications Manager
The Seattle Weekly just ran this preview of boom, talking with playwright Peter Sinn Nachtrieb and director Jerry Manning about whether or not audiences want to think about the end of the world now that things are starting to look up (thank you, Obama). I think: yes. This play deals with environmental apocalypse. While we hope President Obama will turn things around on a global warming front, it's still an issue. But more than that, boom is a comedy with a surprisingly optimistic ending and a healthy dose of sex. It's not like the end of the world is a total downer.
A quote from Jerry in the article: "This script avoids what a lot of plays about 'people in the bunker' fall into," says boom's director Jerry Manning, who's a fan of end-of-the-world stories—like that great old Twilight Zone episode with Burgess Meredith in which a meek reader who survives a nuclear war finally gets time for all of his favorite books. "Usually, you can't really sustain suspense with that scenario, and Peter did. There's not a butt-numbing moment in it."
Read the rest of the article here: http://www.seattleweekly.com/2008-11-12/arts/boom-time/
The Seattle Weekly just ran this preview of boom, talking with playwright Peter Sinn Nachtrieb and director Jerry Manning about whether or not audiences want to think about the end of the world now that things are starting to look up (thank you, Obama). I think: yes. This play deals with environmental apocalypse. While we hope President Obama will turn things around on a global warming front, it's still an issue. But more than that, boom is a comedy with a surprisingly optimistic ending and a healthy dose of sex. It's not like the end of the world is a total downer.
A quote from Jerry in the article: "This script avoids what a lot of plays about 'people in the bunker' fall into," says boom's director Jerry Manning, who's a fan of end-of-the-world stories—like that great old Twilight Zone episode with Burgess Meredith in which a meek reader who survives a nuclear war finally gets time for all of his favorite books. "Usually, you can't really sustain suspense with that scenario, and Peter did. There's not a butt-numbing moment in it."
Read the rest of the article here: http://www.seattleweekly.com/2008-11-12/arts/boom-time/
From the Rehearsal Room: An octopus + hilarity
Posted by
Seattle Repertory Theatre
at
2:03 PM
|
Labels:
aquarium,
boom,
Jerry Manning,
octopus,
Peter Sinn Nachtrieb
From Hillary, boom Assistant to the Director/Casting Intern
Fresh off of The Three Musketeers, I’m now in rehearsal for boom. Halfway through our second week of rehearsal, I feel ready to give you a glimpse into our world.

Our world is bigger than the theatre. To get a taste of the marine biology that plays such an important role in the play, we took a trip to the Seattle Aquarium where we bonded with Roberta (our tour guide) and Emrich (a Great Pacific Octopus). Roberta even gave us a “backstage” tour of the labs in the aquarium’s basement.
Our world is a hysterically funny one. As we work our way through the show, our actors sometimes have to take a moment to laugh and enjoy each other’s performances before getting back into character and continuing.
Our world is an extremely collaborative one. I’m in daily contact with the playwright Peter Sinn Nachtrieb, who is sending us re-writes and thoughts as we share with him our questions and discoveries from rehearsal. Our fearless leader (i.e. director) Jerry Manning encourages everyone in the room to contribute—each actor, each designer, our stage managers, and even me!
From where I’m sitting right now, the view is looking good. I’ll be back with more updates soon.
Fresh off of The Three Musketeers, I’m now in rehearsal for boom. Halfway through our second week of rehearsal, I feel ready to give you a glimpse into our world.
Our world is bigger than the theatre. To get a taste of the marine biology that plays such an important role in the play, we took a trip to the Seattle Aquarium where we bonded with Roberta (our tour guide) and Emrich (a Great Pacific Octopus). Roberta even gave us a “backstage” tour of the labs in the aquarium’s basement.
Our world is a hysterically funny one. As we work our way through the show, our actors sometimes have to take a moment to laugh and enjoy each other’s performances before getting back into character and continuing.
Our world is an extremely collaborative one. I’m in daily contact with the playwright Peter Sinn Nachtrieb, who is sending us re-writes and thoughts as we share with him our questions and discoveries from rehearsal. Our fearless leader (i.e. director) Jerry Manning encourages everyone in the room to contribute—each actor, each designer, our stage managers, and even me!
From where I’m sitting right now, the view is looking good. I’ll be back with more updates soon.
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