From Joanna Horowitz, Communications Department
One more thing. I meant to blog about this earlier, but you'll just have to forgive me...
In Michael Caines' March 2 theatre blog for the London paper The Guardian, he writes "Why does Edward Albee hate directors?" about some comments that Albee has made implying (and flat out saying) that in the play creation process the writer should be in charge no matter what and that directors often just get in the way. Caines writes "Perhaps Albee, now in his 70s, simply hasn't met the right director yet."
I find that an interesting point to consider because we just staged The Lady From Dubuque here last month with our artistic director David Esbjornson at the helm. David and Edward have worked on a number of successful projects together, including the premiere of The Goat, Or Who is Sylvia? on Broadway. So, Edward clearly has found a director he doesn't mind working with. The thing about Edward's plays is that the characters are so specifically drawn that there isn't much space in there for interpretation of intent. The directors really have to rely on and trust what is given to them.
I saw Edward and David speak together at our Stage Voices event during the run of Lady and Edward really had nothing but positive things to say about his collaborations with David. That makes me wonder if David just trusts Edward's scripts more than any other director or if Edward just trusts David more than any other director. Or maybe it's both.